Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Pietro da Cortona 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
40444 Allegory of Divine Providence and Barberini Power Pietro da Cortona Allegory of Divine Providence and Barberini Power mk156 1633-39 Fresco
94841 Allegory of Divine Providence and Barberini Power Pietro da Cortona Allegory of Divine Providence and Barberini Power Pietro da Cortona Year c. 1633-1639 cyf
23447 Giorification of the Rule of Urban Vii (nn03) Pietro da Cortona Giorification of the Rule of Urban Vii (nn03) 1633-9 Fresco Palazzo Barberini Rome
1545 Glorification of the Rule of Urban VIII Pietro da Cortona Glorification of the Rule of Urban VIII   
32466 Holy Family Resting on the Flight to Egypt Pietro da Cortona Holy Family Resting on the Flight to Egypt c. 1643 Oil on copper, 48 x 39 cm
33584 Holy Family Resting on the Flight to Egypt Pietro da Cortona Holy Family Resting on the Flight to Egypt mk86 c.1643 Oil on copper 48x39cm
21538 Holy Family Resting on thte Flight to Egypt (mk08) Pietro da Cortona Holy Family Resting on thte Flight to Egypt (mk08) c.1643 Oil on copper, 48x39cm Munich,Bayerische Staas-gemaldesammlungen, Alte Pinakothek
31007 La Nativite de la Vierge Pietro da Cortona La Nativite de la Vierge mk70 Toile H.1.68 L.1.19 Paris,Musee du Louvre
51230 Landing of the Trojans at the Mouth of Tiberis Pietro da Cortona Landing of the Trojans at the Mouth of Tiberis 1651-54 Fresco Palazzo Pamphili
63824 Madonna and Saints Pietro da Cortona Madonna and Saints 1626-28 Oil on canvas, 280 x 170 cm Museo dell'Accademia Etrusca, Cortona Pietro da Cortona's oeuvre contains splendid examples of rich altarpieces which are a triumph of his proud and exultant style. Some also provide memorable examples of Baroque taste. This painting was commissioned by the Passerini family for the church of S. Agostino in the painter's home town. In a civilized fashion, it trumpets the fact that some of the Passerini family were members of chivalrous orders. So we see the Knights of St Stephen (notice the cross on the cope of the pope, St Stephen), the Knights of Malta (represented by the figure of John the Baptist and the cloak in the centre) and the Order of Calatrava (St James the Great can be seen behind John the Baptist). Even in this quiet scene, there is an air of great energy and vigour, almost as if the saints were about to burst into song. The colours are also marvelously fresh and vivid.Artist:PIETRO DA CORTONA Title: Madonna and Saints Painted in 1601-1650 , Italian - - painting : religious
51234 Marcello Sacchetti Pietro da Cortona Marcello Sacchetti c. 1626 Oil on canvas
1547 Nativity of the Virgin Pietro da Cortona Nativity of the Virgin Musee du Louvre, Paris
20460 Nativity of the Virgin (mk05) Pietro da Cortona Nativity of the Virgin (mk05) Canvas,66 1/4 x 47''(168 x 119 cm).Acquired from Eberhard Jabach in 1662 for the collection of Louis
32536 Ratto delle Sabine Pietro da Cortona Ratto delle Sabine mk79 1627-1628 Rome
1556 Romulas and Remus Brought Back by Faustulus Pietro da Cortona Romulas and Remus Brought Back by Faustulus Musee du Louvre, Paris
20461 Romulus and Remus Brought Back by Faustulus (mk05) Pietro da Cortona Romulus and Remus Brought Back by Faustulus (mk05) Canvas,99 x 104 1/4''(251 x 165 cm)Commissioned ca.1643 by Louis Phelipeaux,Marquis de la Vrilliere,Secretary of State under Louis XIII and Louis XIV,together with works by Guercino,Reni,Turchi,and Poussin;seized in the Revolution from the collection of the DUc de Penthievre,Paris.INV
51233 Romulus and Remus Given Shelter by Faustulus Pietro da Cortona Romulus and Remus Given Shelter by Faustulus c. 1643 Oil on canvas, 251 x 266 c
29994 St.Martina Refusing to Worship Idols Pietro da Cortona St.Martina Refusing to Worship Idols mk67 Oil on canvas 39 3/8x30 11/16in Pitti,Palatine Gallery
96100 The Alliance of Jacob and Laban Pietro da Cortona The Alliance of Jacob and Laban between 1630(1630) and 1635(1635) Medium oil on canvas cyf
43580 The Golden Age Pietro da Cortona The Golden Age 1641-46
58462 The Golden Age by Pietro da Cortona. Pietro da Cortona The Golden Age by Pietro da Cortona. The Golden Age by Pietro da Cortona.
51231 The Guardian Angel Pietro da Cortona The Guardian Angel 1656 Oil on canvas, 225 x 143 cm
28653 The Nativity and the Adoration of the Shepherds Pietro da Cortona The Nativity and the Adoration of the Shepherds mk61 before1656 Oil on canvas 51x40cm
95767 The Rape of the Sabine Women Pietro da Cortona The Rape of the Sabine Women oil on canvas Dimensions Height: 280.5 cm (110.4 in). Width: 426 cm (167.7 in). cyf
39627 The return of Hagar Pietro da Cortona The return of Hagar mk150 c.1637 Canvas 123.5x99cm
82143 The Samian Sibyl Pietro da Cortona The Samian Sibyl Date 17th century? Medium Oil on canvas Dimensions 104.2 x 78.8 cm cyf
52200 The Stoning of St Stephen Pietro da Cortona The Stoning of St Stephen c. 1660 Oil on canvas, 260,5 x 149 cm
1559 The Stoning of St.Stephen 02 Pietro da Cortona The Stoning of St.Stephen 02 1660 The Hermitage, St.Petersburg
20459 Venus as a Huntress Appears to Aeneas (mk05) Pietro da Cortona Venus as a Huntress Appears to Aeneas (mk05) Canvas,50 x 69 1/4''(127 x 176 cm).Perhaps painted in collaboration with Romanelli.Early collection
51200 Venus as Huntress Appears to Aeneas Pietro da Cortona Venus as Huntress Appears to Aeneas Oil on canvas
95768 Virgin and Child with Saints Pietro da Cortona Virgin and Child with Saints first half of 17th century Medium oil on canvas cyf
Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
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